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The general shape or figure of a person is defined mainly by the molding of skeletal structures, as well as the distribution of muscles and fat. The rear view of a naked adult woman with pronounced hip width and large buttocks, both typically associated with female physique. Body shape is affected by body fat distribution, which is correlated to current levels of sex hormones. Muscles and Canada's largest online retailer. Free Shipping on eligible orders. Easy Returns. Shop now for Electronics, Books, Apparel & much more. Try Prime for free # - Naked 0s female sexy brunette wearing swimsuit bare breast posing. Similar Images. Add to Likebox # - Young and sexy amazing blonde woman with glamorous makeup, wearing. Similar Images. Add to Likebox # - young beautiful girl posing in studio, standing in a black-transparent
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Female body shape or female figure is the cumulative product of a woman's skeletal structure and the quantity and distribution of muscle and fat on the body. There is a wide range of normality of female body shapes. Female figures are typically narrower at the waist than at the bust and hips. The bust, waist, and hips are called inflection points, and the ratios of their circumferences are # - Closeup image of sexy round student bottom under red skirt. Similar Images. Add to Likebox # - Bodyscape of a Nude woman with wet stomach and back lighting. Similar Images. Add to Likebox # - Young nude woman posing on a sandy beach neat the sea. Sexy blonde. Similar Images. Add to Likebox # - plus size woman with curvy figure in corset lingerie ck out our round woman figure selection for the very best in unique or custom, handmade pieces from our shops
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Sexy blonde enjoying. Beauty adult brunette woman in lingerie on bed. This may be a reflection of the female style of the day : a long, cylindrical, gown with rippling satin accents, tailored over a figure in stays.
Thus Rubens' women have a tubular body with rippling embellishments. It also lifted and separated the breasts as opposed to the 17th century corsets which compressed and minimized the breasts. Consequently, depictions of nude women in the 18th century tend to have a very narrow waist and high, distinct breasts, almost as if they were wearing an invisible corset.
The 19th century maintained the general figure of the 18th century. Examples can be seen in the works of many contemporary artists, both academic artists, such as CabanelIngresand Bouguereauand Impressionistssuch as DegasRenoirand Toulouse-Lautrec.
As the 20th century began, the rise of athletics resulted in a drastic slimming of the female figure. This culminated in the s flapper look, which has informed modern fashion ever since.
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The last years envelop the time period in which that overall body type has been seen as attractive, though there have been small changes within the period as well. The s was the time in which the overall silhouette of the ideal body slimmed down. There was dramatic flattening of the entire body resulting in a more youthful aesthetic.
From the s to that trend continued with the interesting twist of cone shaped breasts as a result of the popularity of the bullet bra.
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In the sthe invention of the miniskirt as well as the increased acceptability of pants for women, prompted the idealization of the long leg that has lasted to this day. In the past 20 years the average American bra size has increased from 4B to 4DD,  although this may be due to the increase in obesity within the United States in recent years.
Additionally, the ideal figure has favored an ever-lower waist-hip ratioespecially with the advent and progression of digital editing software such as Adobe Photoshop.
Each society develops a general perception of what an ideal female body shape would be like. These ideals are generally reflected in the art and literature produced by or for a society, as well as in popular media such as films and magazines. The ideal or preferred female body size and shape has varied over time and continues to vary among cultures;   but a preference for a small waist has remained fairly constant throughout history.
A low waist-hip ratio has also often been regarded as an indicator of attractiveness of a woman, but recent research suggests that attractiveness is more correlated to body mass index than waist-hip ratio, contrary to previous belief. Devendra Singh of the University of Texas, who studied the representations of women, historically found there was a trend for slightly overweight women in the 17th and 18th centuries, as typified by the paintings of Rubensbut that in general there has been a preference for a slimmer waist in Western culture.
He notes that "The finding that the writers describe a small waist as beautiful suggests instead that this body part - a known marker of health and fertility - is a core feature of feminine beauty that transcends ethnic differences and cultures.
New research suggests that apple-shaped women have the highest risk of developing heart disease, while hourglass-shaped women have the lowest. This is because body fat buildup around the waist the apple shape poses a higher health risk than a fat buildup at the hips the pear shape. Compared to males, females generally have relatively narrow waists and large buttocks,  and this along with wide hips make for a wider hip section and a lower waist-hip ratio.
Many studies indicate that WHR correlates with female fertility, leading some to speculate that its use as a sexual selection cue by men has an evolutionary basis. That, in turn, may account for the cross-cultural variation observed in actual average waist-hip-ratios and culturally preferred waist-to-hip ratios for women.
WHR has been found to be a more efficient predictor of mortality in older people than waist circumference or body mass index BMI. Over the past several hundred years, there has been a shift towards viewing the body as part of one's identity - not in a purely physical way, but as a means of deeper self-expression. David Gauntlett, in his book, recognizes the importance of malleability in physical identity, stating, "the body is the outer expression of our self, to be improved and worked upon".
During the s, the fashion model and celebrity were two separate entities, allowing the body image of the time to be shaped more by television and film rather than high fashion advertisements.
While the fashion model of the s, such as Jean Pattt and Dovimawere very thin, the ideal image of beauty was still a larger one. As the fashion houses in the early s still catered to a specific, elite clientele, the image of the fashion model at that time was not as sought after or looked up to as was the image of the celebrity. While the models that graced the covers of Vogue Magazine and Harper's Bazaar in the s were in line with the thin ideal of the day, the most prominent female icon was Marilyn Monroe.
Monroe, who was more curvaceous, fell on the opposite end of the feminine ideal spectrum in comparison to high fashion models. Regardless of their sizes, however, both fashion of the time and depictions of Monroe emphasize a smaller waist and fuller bottom half. The late s, however, brought about the rise of ready-to-wear fashion, which implemented a standardized sizing system for all mass-produced clothing.
While fashion houses, such as Dior and Chanelremained true to their couture, tailor-made garments, the rise of these rapidly-produced, standardized garments led to a shift in location from Europe to America as the epicenter of fashion. Along with that shift came the standardization of sizes, in which garments weren't made to fit the body anymore, but instead the body must be altered to fit the garment.
During the s, the popularity of the model Twiggy meant that women favoured a thinner body, with long, slender limbs. These shifts in what was seen to be the "fashionable body" at the time followed no logical pattern, and the changes occurred so quickly that one shape was never in vogue for more than a decade.
As is the case with fashion itself in the post-modern world, the premise of the ever-evolving "ideal" shape relies on the fact that it will soon become obsolete, and thus must continue changing to prevent itself from becoming uninteresting.
An early example of the body used as an identity marker occurred in the Victorian erawhen women wore corsets to help themselves attain the body they wished to possess. More recently, magazines and other popular media have been criticized for promoting an unrealistic trend of thinness.
David Gauntlett states that the media's "repetitive celebration of a beauty 'ideal' which most women will not be able to match will eat up readers' time and money-and perhaps good health-if they try".
The importance of "the body as a work zone", as Myra MacDonald asserts, further perpetuates the link between fashion and identity, with the body being used as a means of creating a visible and unavoidable image for oneself.
A study at Brigham Young University using MRI technology suggested that women experience more anxiety about weight gain than do men,  while aggregated research has been used to claim that images of thin women in popular media may induce psychological stress.
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Various strategies are sometimes employed to temporarily or permanently alter the shape of a body. The most common include dieting and exercise. At times artificial devices are used or surgery is employed.
Breast size can be artificially increased or decreased. Falsiesbreast prostheses or padded bras may be used to increase the apparent size of a woman's breastswhile minimiser bras may be used to reduce the apparent size.
Breasts can be surgically enlarged using breast implants or reduced by the systematic removal of parts of the breasts. Hormonal breast enhancement may be another option. Historically, boned corsets have been used to reduce waist sizes.
The corset read its climax during the Victorian era. Where corsets are used for waist reduction, they may cause temporary reduction through occasional use or permanent reduction through constant and continuous use.
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Those who use corsets for permanent reduction are often referred to as tightlacers. Liposuction and liposculpture are common surgical methods for reducing the waist line. Padded control briefs or hip and buttock padding may be used to increase the apparent size of hips and buttocks.
Buttock augmentation surgery may be used to increase the size of hips and buttocks to make them look more rounded. Two social experiments were performed inwhich provided information on a female's ideal body and argued that the ideal body is an unattainable social construct meant to keep women striving to please men's sexual desires.
The first experiment, performed by researr Lon Kilgore, involved measuring multiple people and comparing those measurements to Leonardo da Vinci 's representation of the ideal human body, The Vitruvian Man. Kilgore used the conclusions of this experiment to prove that there is no such ideal body for females because the human body is ever changing to adapt to its environment.
In the second experiment, researrs Kara Crossley, Piers Cornelissen and Martin Tovee asked men and women to depict an attractive female body and the majority of them had the same diagram. Critical writer Kovie Biakolo uses this to state that society has embedded into us this idea that the ideal woman looks a certain way.
Created inthe Vitruvian Man is famously known to be the portrayal of the perfect human, depicting all the perfect proportions and measurements between limbs and features. Because it is so perfect, comparing a person, male or female, to it has been "one of the most familiar and easiest methods of determining if an individual deviates from 'normal' anthropometry.
In the experiment, Kilgore measured multiple body parts of nine male subjects and six female subjects, such as height, wingspan, hip width, elbow to fingertip, torso, and legs, and compared those measurements to the measurements of Da Vinci's drawing. The results of the measurements and comparisons demonstrated that "not a single subject in this study possessed the dimensional relationships put forth by da Vinci. Kilgore explains this anomaly through evolution; he states that the human body never might have been exactly identical to the Vitruvian Man because the human body is always changing to adapt its environment.
Kilgore ends his experiment stating that the Vitruvian Man does not accurately describe the modern male or female. In another social experiment, researrs Kara Crossley, Piers L. Cornelissen, and Martin Tovee explore what an attractive body is, asking multiple men and women to draw their ideal bodies using a virtual program in which they would increase or decrease the sizes of specific body parts.
After looking at the depictions of their participants, the researrs came to a conclusion that almost all had depicted similar ideal bodies. The women who participated in this experiment drew their ideal bodies with enlarged busts and narrowed the rest of their bodies, resulting in the conclusion that the representation of ideal female body size and shape was narrowed hips, waist, lower torso, and an enlarged bust.
The male participants also depicted their ideal partner with the same image. The researrs state, "For both sexes, the primary predictor of female beauty is a relatively low BMI combined with a relatively curvaceous body. From Wikipedia, the free encyclopedia. Cumulative product of the human female skeletal structure and distribution of muscle and fat. For other uses, see Female figure disambiguation.
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See also: Gynoid fat distribution. The SourceJean Auguste Dominique Ingres In the Water by Eugene de Blaas Main article: Hourglass figure. The Arnolfini Portrait by Jan van Eyck depicts a fashionable man and woman in the 15th century.
Adam and Eve from the Vienna Diptych by Hugo van der Goes. Eve's protruding abdomen is typical of nudes in the 15th century.
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Main article: Waist-hip ratio. See also: Body image. Female physical attractiveness - Degree to which a person's physical traits are considered aesthetically pleasing or beautiful Chinese ideals of female beauty Glossary of shapes with metaphorical names - standartmerkezi.com glossary Human variability List of artists focused on the female form - standartmerkezi.com list article Sex differences in humans - Difference between males and females Somatotype and constitutional psychology Thigh gap - Space between the inner thighs when standing upright with both knees touching.
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